A Connecticut Yankee in King Arthur's Court

A Connecticut Yankee in King Arthur's Court

Book - 1996
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Baker & Taylor
Presents all of Mark Twains's books in the format in which they were first published, including the original illustrations

Oxford University Press
If any one writer stands at the heart of American literature it is Mark Twain. With his wild head of hair, thick mustache, and brilliant white suit, he is more recognizable than any living writer, and in his time he was, as he himself put it, "the most conspicuous person on the planet." He is certainly America's most popular writer--arguably the most popular American writer the world over--and the greatest humorist we have ever known, a marvelous teller of tall tales, a genial entertainer, a consistently quotable sage. He is also one of our finest satirists, who penned withering attacks on hypocrisy and corruption (he once said he wrote with "a pen warmed up in hell") and in his most serious works, such as Huckleberry Finn and Pudd'nhead Wilson, he cast a profound light on the darkest recesses of the nation's psyche.
The twenty-nine-volume Oxford Mark Twain is a major literary event. In addition to gathering together a superb collection of Twain's works, editor Shelley Fisher Fishkin has commissioned some of our most eminent living writers to introduce each volume with their personal insights and experiences of Twain. Readers will find, for instance, Toni Morrison reflecting on Huckleberry Finn, Kurt Vonnegut on Connecticut Yankee, Arthur Miller on Twain's Autobiography, Roy Blount Jr. on The Celebrated Jumping Frog of Calaveras County, E.L. Doctorow on Tom Sawyer, Willie Morris on Life on the Mississippi, Garry Wills on Christian Science, and Cynthia Ozick on The Man that Corrupted Hadleyburg and Other Stories and Essays. Other writers include Gore Vidal, Ursula K. Le Guin, George Plimpton, Ward Just, Russell Banks, Bobbie Ann Mason, Malcolm Bradbury, Nat Hentoff, Sherley Anne Williams, Justin Kaplan, Walter Mosley, Erica Jong, Judith Martin ("Miss Manners"), David Bradley, Frederick Pohl, Mordecai Richler, Lee Smith, Anne Bernays, Charles Johnson, Fred Busch, and actor Hal Holbrook (who introduces Twain's collected speeches). And each volume includes an afterword by a noted scholar--such as Louis J. Budd, Victor A. Doyno, Leslie A. Fiedler, James A. Miller, Linda Wagner-Martin, Forrest Robinson, M. Thomas Inge, Fred Kaplan, Susan Harris, and David L. Smith--who place the work in the context of Twain's career and the literary and social climate of the time. In effect, the set gathers together an literary who's who, all of whom reflect on what Mark Twain's work means to them as writers and scholars, and what he means to our literary history and to our culture as a whole. Taken together, these introductions and afterwords provide a major reevaluation of Twain, allowing readers to see his work in fresh ways.
But of course the most important thing is the work itself. Here is the full range of Twain's remarkably prolific career, including The Celebrated Jumping Frog of Calaveras County, The Innocents Abroad, Roughing It, The Adventures of Tom Sawyer, A Tramp Abroad, The Prince and the Pauper, Life on the Mississippi, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, The Tragedy of Pudd'nhead Wilson, The Man that Corrupted Hadleyburg, The Million Pound Banknote, Following the Equator, and Extracts from Captain Stormfield's Visit to Heaven. Readers will find freewheeling parodies and burlesques, Twain's inimitable travel pieces, rich and complex portraits of childhood along the Mississippi, ghost stories and detective stories, irreverent lampoons of corrupt politicians, dark ruminations on the nature of humanity, and sharp-tongued editorials on the events of his day (such as Belgian imperialism in Africa or anti-Semitism in Vienna). Many of the works included here--such as Sketches, New and Old, A Tramp Abroad, The American Claimant, Is Shakespeare Dead? and Joan of Arc--have not been readily available for decades.
Equally important, The Oxford Mark Twain is a facsimile of the first American editions of Twain's work, and includes all the original illustrations, some of which were drawn by Twain himself, and many of which have not been seen since these editions went out of print. Moreover, in each volume containing art, Fishkin has commissioned an essay on that volume's illustrations and the artists responsible. Captivating in themselves, these illustrations add an extra dimension to the narratives that has been missing for a hundred years. Each volume also includes, as its frontispiece, a specially selected photo of Twain around the age he was when he wrote the book at hand.
The Oxford Mark Twain is an unprecedented undertaking and a cause for celebration. Colorful, irreverent, romantic, skeptical, a master of comic asides, a bittersweet humorist, and an unflinching critic of human pretensions, Mark Twain speaks to us across time with verve and wisdom. Combining the works themselves, reflections on Twain by some of our leading writers and scholars, and the original illustrations--all at a very affordable price--this superb twenty-nine-volume set will be treasured by everyone.

Publisher: New York : Oxford University Press, 1996
ISBN: 9780195113457
0195113454
9780195090888
0195090888
9780195114102
0195114108
9780195101416
0195101413
Branch Call Number: FICTION TWAIN...M
Characteristics: xxxiii, 575, 36, pages : illustrations ; 23 cm

Opinion

From Library Staff

What begins as a literary burlesque of British chivalry and culture grows into a disturbing satire of late 19th century technology and social thought. -- "Everybody around her believed in enchantments; nobody had any doubts; to doubt that a castle could be turned into a sty, and its occupan... Read More »


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AYNGELWYNGZ01 Aug 07, 2012

Loved it!

p
pinkpickle
May 15, 2011

This book is about a man by the name of Hank Morgan. He gets hit in the head and is sent back to mid-6th century England, A.K.A. King Arthur time. Hank Morgan impersonates a magician. The story tell of Hank Morgan's adventures over 4 years. He meets a woman called Sandy, and they get married and have children. This story wasnt my favourite book because it moved along rather slowly and dragged on. I found it rather boring. This book, in my opinion, deserves 3 out of 5 stars.

p
phyllisg
Feb 02, 2010

this book has a sad ending in it

k
kalio
Dec 30, 2009

Sometimes all it takes to travel through time is a good old-fashioned bump on the head. Industrial Revolution-era factory worker Hank Morgan is knocked unconscious and wakes up in the year 528. He is less than impressed. Even though he?s surrounded by the stuff of legends?literally, because he?s landed smack dab in the middle of Camelot, complete with King Arthur, Sir Lancelot, Queen Guinevere, and Merlin the Wizard?Morgan sets out to reform the Age of Chivalry. As a time-traveler from a more advanced era, Morgan feels an obligation to bring technology and industry to these backward nobodies. He takes advantage of an upcoming historical eclipse and is soon the leading power at court. Styling himself as ?The Boss? and mocking everyone who doesn?t agree with him, Hank Morgan belittles everything about the feudal system, the nobility, and the rules of court. Author Mark Twain uses Morgan?s overbearing, heavy-handed, small-minded approach to ?progress? to criticize progress itself?business, religion, technology, industry, and war. A Connecticut Yankee in King Arthur?s Court is not just a simple adventure story. It?s Mark Twain at his most cynical, satirical, witty, and wise.

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