Conquest of the UselessBook - 2009
An account drawn from a diary kept by the revered filmmaker during the 1982 production of Fitzcarraldo is a series of notes on a fever dream in the Amazon jungle that also describes the unique difficulties he faced in creating the film, from cast member clashes to the challenges of moving a 320-ton steamship over a hill. 10,000 first printing.
“Hypnotic….It is ever tempting to try to fathom his restless spirit and his determination to challenge fate.”
—Janet Maslin,New York Times
Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, andFitzcarraldo is one of his most honored and admired films. More than just Herzog’s journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over a mountain , Conquest of the Uselessis a work of art unto itself, an Amazonian fever dream that emerged from the delirium of the jungle. With fascinating observations about crew and players—including Herzog’s lead, the somewhat demented internationally renowned star Klaus Kinski—and breathtaking insights into the filmmaking process that are uniquely Werner Herzog, Conquest of the Uselessis an eye-opening look into the mind of a cinematic master.
Blackwell North Amer
One of the most revered filmmakers of our time, Werner Herzog wrote this diary during the making of Fitzcarraldo, the lavish 1982 film that tells the story of a would-be rubber baron who pulls a steamship over a hill in order to access a rich rubber territory. Later, Herzog spoke of his difficulties when making the film, including casting problems, reshoots, language barriers, epic clashes with the star, and the logistics of moving a 320-ton steamship over a hill without the use of special effects.
Hailed by critics around the globe, the film went on, to win Herzog the 1982 Outstanding Director Prize at Cannes. Conquest of the Useless, Werner Herzog's diary on his fever dream in the Amazon jungle, is an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.
An account drawn from a diary kept by the revered filmmaker during the 1982 production of "Fitzcarraldo" describes the unique difficulties he faced in creating the film, from cast member clashes to the challenges of moving a 320-ton steamship over a hill.