Formulation - ArticulationFormulation - Articulation

Published in book form for the first time, a collection of woodcuts, sandblasted glass pictures, and oil paintings offers insight into the late artist's use of abstractions, color, and perception effects, in a volume that shares key passages from his personal writings.
Josef Albers's Formulation: Articulation, issued as a limited edition set of prints in 1972 and published here in book form for the first time, is a unique opportunity to understand the ideas and methods of one of the most influential artists and theorists of the twentieth century. Albers drew on over forty years' work in a variety of media - woodcuts, sandblasted glass pictures and oil paintings - for these rigorous yet lyrical explorations of colour and form, and they can be seen as the summation of his creative life.
All the elements of Albers's thinking and experience on colour and geometrical relationships are embodied in Formulation: Articulation. The series of prints were carefully sequenced by the artist so that they can be examined and appreciated for their visual interaction or as striking works of art in their own right. Statements by Albers about the images are provided on two fold-out sections and the text by the art critic T. G. Rosenthal sets the volume within the context of Albers's life and work.
A sumptuously produced introduction to the ideas and methods of one of the most influential artists and theorists of the twentieth century.

First issued in 1972 as a limited edition set of prints, Formulation: Articulation is being published in book form for the first time. Josef Albers drew on over forty years' work in a variety of mediawoodcuts, sandblasted glass pictures, and oil paintingsfor these poetic explorations of color and form. Created just four years before his death in 1976, the images can be seen as the summation of Albers's creative life.

Albers was a student and a teacher at the Bauhaus from 1920 to 1933, escaped to America and taught at Black Mountain College until 1949, and was chairman of the Department of Design at Yale University until 1958. As both artist and teacher he influenced innumerable artists, including Mark Rothko, Barnett Newman, and Robert Rauschenberg. Albers's seminal text, Interaction of Color (1963), which was translated into eight languages, affected art teaching all over the world.

This book embodies all the elements of Albers's lifetime preoccupation with abstraction, color, and perception. He draws the viewer into a dynamic relationship with his work, showing how color can have deceptive and unpredictable effects, depending on how it interacts with other colors. The order of the 127 illustrations was carefully chosen by Albers so that they can be examined and appreciated for their visual interaction or as beautiful works of art in their own right. They appear alone on the page, in pairs, or sometimes four together.

The accompanying text includes key passages from Albers's own writings, printed on special foldout sections, and the introduction by noted critic T. G. Rosenthal includes comparative and contextual illustrations. 150 illustrations, 127 in color.